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“They’re all cracked, the leather is cracked, but covered over. “It was like we were in D’Agostino’s (a prominent New York supermarket chain),” Guare laughs.Īdditionally, Schepisi insisted on having worn sofas in the Kittredge living room. To replicate a two-sided painting by Vasily Kandinsky, Guare and Schepisi waded through the Guggenheim Museum’s basement and looked at 189 paintings until they discovered the right ones. When he says (after landing the investor), ‘We could have lost it,’ I love that scene. Says Channing: “In this movie, they’re human beings. If “Six Degrees” works better than the other film as the official satire of the greed-drenched 1980s, it’s because, he says, “ ‘Bonfire’ was done with more spite.
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SIX DEGREES OF SEPARATION STOCKARD CHANNING MOVIE
A few years ago Schepisi had been “desperate” to make the movie of “The Bonfire of the Vanities” but lost out to Brian DePalma. “John knows and loves all these characters,” says director Schepisi later. They are not so different from us, after all. To observe Sutherland and Channing trying to lure a wealthy investor into an art scheme is to see to what may be the first film ever about true despair among the rich. “It seemed like a lunch party at my own house, with some charming people who seemed to be having some difficulty.” The filming was so authentic, she reports, that after a few hours she forgot she was making a movie. They treated me like a combination of Lillian Gish and Eleanor Roosevelt.” The indefatigable Hart, reached by phone later, approached “Six Degrees” with her usual brio. “Her fame gives you some kind of security.” “I wanted Kitty in it because we recognize her somehow,” observes Guare of his longtime friend. Kitty Carlisle Hart, herself a New York landmark, appears as-what else?-a powerful society hostess. “Peter was going to be in it more, but he had a couple of gigs he couldn’t get out of. In “Six Degrees,” cameos by artist Chuck Close and socialite band leader Peter Duchin and his wife, Brooke Hayward, lend credibility to the Kittredge social circle. It was also important to see the people with whom they are most at home. It was very important to chart their lives just to see where they went, just to follow them and see where they’re comfortable.” “The missing character that had to appear in the film was New York City. “The play took place on a bare stage,” Guare explains. Mortimer’s is one of about 40 posh New York sites (including the Gotham Bar and Grill, Central Park, the Rainbow Room and the Metropolitan Museum of Art) that Guare, director Fred Schepisi and Patrizia von Brandenstein, the production designer, used to illuminate the Kittredges’ Upper East Side milieu. It’s no accident that this meeting is taking place at this Spartan, rather drab and consequently famous bastion of inexpensive cuisine and exclusive admittance: a revelatory scene in the film takes place here. Flanders Kittredge, and Will Smith, TV’s “Fresh Prince of Bel-Air,” as the young con man who invades the Kittredges’ Fifth Avenue apartment claiming to be their children’s school chum and the son of actor Sidney Poitier. The film version of Guare’s play is in limited release in eight cities, and features Donald Sutherland as Ouisa’s high-rolling husband, art dealer J.